(I am absurdly pleased to host this post (with the most) on my blog. These are not my words, but I am 100% behind them. I am also proud to have something worth reading on my blog for a change.)
Hi, I’m Jules. I’m Alan’s wife and I’m writing a guest blog here instead of on my own blog because I just got a job that requires me to interact with folks in DC and now I’m paranoid about the people I work with finding it. It’s not that I think they’d take issue personally with the content, it’s just that the things I have to say about this aren’t the most professional things I’ve ever said. So with that disclaimer, here we go!
So the year is 2017 and apparently, Charlize Theron only makes badass lady movies now. Let me be (probably not) the first to say that I am 100% here for that. Mad Max: Fury Road was hailed as a feminist masterpiece, which it unequivocally was. It was also just a really fabulous action movie and, considering it was a reprisal of an 80’s franchise, that’s pretty impressive. But I’m here to talk about Theron’s most recent empowering bombshell, Atomic Blonde, which is in a whole different class. It’s not set in a post-apocalyptic desert world, it’s set in late eighties Berlin. It’s fiction, sure, but it’s not exactly fantasy. That very fact is groundbreaking in terms of the portrayal of strong women.
Today I have something unprecedented here at my little ole site – a guest post! Evelyn Lafont, aka Keyboard Hussy, is a writer, yes, but she’s funny, caustic, blunt, imaginative, and a ton of other things besides that. If you like the type of humor I attempt to purvey here, then I highly recommend you read her book, her blog, and her online mag. Links below her article. I’m going to get out of her way, because she’ll totally knife me in sternum if I don’t.